Dancing Before the David
This morning I had a picture of myself dancing before Michelangelo’s David. The high ceilings and marble walls of the gallery proved an amazing setting for perfect pirouettes and pas de bourrée. The beauty of my dance was perfected in my thoughts, and it became something akin to Viviana Durante in the Rose Adagio of Sleeping Beauty, … a wordless contribution of beauty for beauty.
It wasn’t long before I pondered not the perfection of my dance ~ this is my dream, after all ~ yet why dance before The David? An online travel guide for Florence, Italy so aptly reviews the sculpture, “Its position, though expressing perfect balance, alludes at movement, … The attitude is strong, arrogant and, above all, filled with inner life like no other similar classical statue.” 1
Balance. Movement. Attitude. Inner Life.
Isn’t it interesting that the reviewer detects these qualities, in a sculpture? That is part of the mystery of beauty. Just like a masterful pirouette depicts the paradox between strength and delicacy, so a marble statue depicts movement and inner life.
Reviewing the flawless dance in the presence of unparalleled, sculpted beauty, I was reminded of the nearly spontaneous combustion that can occur when individuals come together, in unity, to produce something more significant than they can produce individually. Musicians demonstrate this when their skill takes them collectively away from the written score to a breathless improvisation. Each one has submitted their skill, even rescinded their individual identities, to the greater purpose of the collective. Only mutually agreed-upon, non-verbal expressions lead to a change in key or tempo. Each musician not only participates, but also cooperates. No one person leads throughout, and no one hides. Eventually, each one takes his place to lead out into the unknown with precision. 2
2 Bents, E. Identity